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    <title>University of Chicago Press: New Titles from 'Casa Ricordi'</title>
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    <description>The latest new books from 'Casa Ricordi'</description>
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    <pubDate>Sun, 19 May 2013 05:00:00 GMT</pubDate>
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      <title>Giovanna d'Arco</title>
      <link>http://press.uchicago.edu/ucp.html</link>
      <description>Giovanna d&amp;#8217;Arco (Joan of Arc), Verdi&amp;#8217;s seventh opera, premiered at La Scala in 1845 to great public success despite sub-par production standards, and modern performances have swept away both audiences and critical reservations when the work is executed with faithfulness to his score. At the heart of this large-scale opera, with its prominent choruses, is the difficult and beautiful part of Joan&amp;#8212;simultaneously ethereal soprano and dynamic warrior. The libretto by Temistocle Solera, based in part on Schiller&amp;#8217;s play Die Jungfrau von Orleans, omits Joan&amp;#8217;s trial for heresy and burning at the stake, ending instead with an offstage battle in which she is mortally wounded leading the French to victory against the English.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &amp;#160;This piano-vocal score of Giovanna d&amp;#8217;Arco, based on the critical edition of the full score, is based on the composer&amp;#8217;s autograph score preserved in the archives of Verdi&amp;#8217;s publisher, Casa Ricordi. It restores the opera&amp;#8217;s original text, which had been heavily censored, and accurately reflects Verdi&amp;#8217;s colorful and elaborate musical setting. Editor Alberto Rizzuti&amp;#8217;s introduction discusses the opera&amp;#8217;s origins, sources, and performance questions, while the critical commentary details editorial problems and solutions.</description>
      <content:encoded>&lt;p&gt;&lt;i&gt;Giovanna d&amp;#8217;Arco&lt;/i&gt; (Joan of Arc), Verdi&amp;#8217;s seventh opera, premiered at La Scala in 1845 to great public success despite sub-par production standards, and modern performances have swept away both audiences and critical reservations when the work is executed with faithfulness to his score. At the heart of this large-scale opera, with its prominent choruses, is the difficult and beautiful part of Joan&amp;#8212;simultaneously ethereal soprano and dynamic warrior. The libretto by Temistocle Solera, based in part on Schiller&amp;#8217;s play &lt;i&gt;Die Jungfrau von Orleans&lt;/i&gt;, omits Joan&amp;#8217;s trial for heresy and burning at the stake, ending instead with an offstage battle in which she is mortally wounded leading the French to victory against the English.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;/p&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;This piano-vocal score of &lt;i&gt;Giovanna d&amp;#8217;Arco&lt;/i&gt;, based on the critical edition of the full score, is based on the composer&amp;#8217;s autograph score preserved in the archives of Verdi&amp;#8217;s publisher, Casa Ricordi. It restores the opera&amp;#8217;s original text, which had been heavily censored, and accurately reflects Verdi&amp;#8217;s colorful and elaborate musical setting. Editor Alberto Rizzuti&amp;#8217;s introduction discusses the opera&amp;#8217;s origins, sources, and performance questions, while the critical commentary details editorial problems and solutions.&lt;/p&gt;</content:encoded>
      <category>Music: Music Editions</category>
      <pubDate>Tue, 15 Nov 2011 06:00:00 GMT</pubDate>
      <author>Giuseppe Verdi; Alberto Rizzuti</author>
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