Towards an Aesthetics of Production

Sebastian Egenhofer

Towards an Aesthetics of Production

Sebastian Egenhofer

Distributed for Diaphanes

Translated by James Gussen
208 pages | 48 halftones | 6 1/3 x 9 1/2 | © 2016
Paper $30.00 ISBN: 9783037348857 Published January 2018 N/F/S Belgium, France & Luxembourg
Throughout the twentieth century, art history has been too narrowly focused on formalism. As a result, analyses regularly reduced works of art to their materials, texture, and composition. By contrast, art historian Sebastian Egenhofer takes Gilles Deleuze’s readings of Spinoza, Nietzsche, and Bergson as the basis for a new resistance to the overly reductive account of art history. 
           
After laying out his argument for a new aesthetics of production in introductory chapters that discuss the work of Spinoza, Nietzsche, and Bergson, as well as Heidegger and Kant, Egenhofer applies this theoretical framework to case studies on Michael Asher, Marcel Duchamp, Thomas Hirschhorn, and Piet Mondrian. An aesthetics of production does not, he argues, imply a nostalgia for the artisanal or for a work of art’s singularity, but a way to bring together elements of critical materialism with a thorough reevaluation of the modern art and abstraction.
 
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