Cloth $29.95 ISBN: 9780892362820 Published December 1994
Paperback $25.00 ISBN: 9780892362837 Published July 1996

Style-Architecture and Building-Art

Transformations of Architecture in the Nineteenth Century and Its Present Condition

Hermann Muthesius

Style-Architecture and Building-Art
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Hermann Muthesius

Distributed for The Getty Center for the History of Art

208 pages | 7 illustrations | 7-1/2 x 10-1/4 | © 1994
Cloth $29.95 ISBN: 9780892362820 Published December 1994
Paperback $25.00 ISBN: 9780892362837 Published July 1996
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity.

Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement.

In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
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