Portraits

Jean-Paul Sartre

Jean-Paul Sartre

Distributed for Seagull Books

Translated by Chris Turner
686 pages | 5 x 8 | © 2009
Cloth $30.00 ISBN: 9781906497170 Published August 2009 World sales rights except India

Philosopher Jean-Paul Sartre counted among his friends and associates some of the most esteemed intellectuals, writers, and artists of the twentieth century. In Portraits (Situations IV), Sartre collected his impressions and accounts of many of his notable acquaintances, in addition to some of his most important writings on art and literature during the early 1950s.

 

Portraits includes Sartre’s preface to Nathalie Sarraute’s Portrait of a Man Unknown and his homages to André Gide, Albert Camus, and Maurice Merleau-Ponty. The essay on Merleau-Ponty casts considerable light on the recent history of French philosophy, particularly with regard to dominant post-war political conceptions. Featured as well are lengthy studies of Sartre’s close friend Paul Nizan and of the young André Gorz that are no less revealing, as well as Sartre’s “Reply to Albert Camus,” which sealed the ideological and personal break between the two writers on its publication in 1952. Alongside these major writings are fascinating articles on Tintoretto and a number of contemporary artists, including Giacometti and Masson. Finally, Portraits concludes with two travelogue-style accounts of Sartre’s time in Italy.

 

This new translation by Chris Turner presents these essays in their complete form as originally intended by Sartre when he first published Situations IV in France and is thus essential reading for anyone interested in the artistic and intellectual history of the time.

 

Library Journal
"This updated collection of essays by one of the best-known philosophers of the past century will appeal to readers familiar with Sartre but also those new to his writings. Readers who are discouraged by Sartre’s more technical works, e.g., Being and Nothingness, will find this much more accessible."
Jonathan Ree

“A fluent translation. . . . Portraits can be read today as a self-contained collection of biographical studies.”--Times Literary Supplement

Contents
Part One
   Portrait of a Man Unknown
   The Artist and His Conscience
   Of Rats and Men
 
Part Two
   Gide Alive
   Reply to Albert Camus
   Albert Camus
   Paul Nizan
   Merleau-Ponty
 
Part Three
   The Captive of Venice
   Giacometti's Paintings
   The Unprivileged Painter
   Masson
   Fingers and Non-Fingers
   A Fine Display of Capuchins
   Venice from My Window
For more information, or to order this book, please visit http://www.press.uchicago.edu
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