A Philosophy of Boredom
Distributed for Reaktion Books
Lars Svendsen brings together observations from philosophy, literature, psychology, theology, and popular culture, examining boredom's pre-Romantic manifestations in medieval torpor, philosophical musings on boredom from Pascal to Nietzsche, and modern explorations into alienation and transgression by twentieth-century artists from Beckett to Warhol. A witty and entertaining account of our dullest moments and most maddening days, A Philosophy of Boredom will appeal to anyone curious to know what lies beneath the overwhelming inertia of inactivity.
"A fascinatingly modern essay on ennui and emptiness . . . Svendsen's thesis is so cool that boredom, linked with desire rather than need, suddenly seems like a desirable state of being in an agitated age."
"Quite fascinating"-The Times Online
"Lars Svendsen, author of A Philosophy of Boredom, is anything but boring on the subject."
"For a serious work of philosophy, Boredom exhibits a light touch and impressive pop-cultural range. . . . It's not boring."
One: The Problem of Boredom
—Boredom as a Philosophical Problem
—Boredom and Modernity
—Boredom and Meaning
—Boredom, Work and Leisure
—Boredom and Death
—Typologies of Boredom
—Boredom and Novelty
Two: Stories of Boredom
—Acedia: Pre-modern Boredom
—From Pascal to Nietzsche
—Romantic Boredom, form William Lovell to American Psycho
—On Boredom, Body, Technology and Transgression: Crash
—Samuel Beckett and the Impossibility of Personal Meaning
—Andy Warhol: Renouncing Personal Meaning
Three: The Phenomenology of Boredom
—Ontology: The Hermeneutics of Boredom
Four: The Ethics of Boredom
—What is an I?
—Boredom and Human History
—The Experience of Boredom
—Boredom and Maturity