Cloth $178.50 ISBN: 9781783200337 Published October 2013
Paper $64.50 ISBN: 9781783200320 Published October 2013

Piercing Time

Paris after Marville and Atget 1865-2012

Peter Sramek

Peter Sramek

Distributed for Intellect Ltd

With Essays by Min Kyung Lee and Shalini Le Gall
456 pages | 271 color plates, 214 halftones, 28 maps | 9 x 9 | © 2013
Cloth $178.50 ISBN: 9781783200337 Published October 2013
Paper $64.50 ISBN: 9781783200320 Published October 2013
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century. Revisiting the sites of Marville’s photographs with a black cloth, tripod, and view camera, Peter Sramek creates here a visually stunning book that investigates how urban development, the use of photography as a documentary medium, and the representation of urban space reflect attitudes towards the city. The essays that run alongside these fascinating images discuss subjects such as the aesthetics of ruins and the documentation of the demolitions that preceded Haussmannization, as well as the different approaches taken by Marville and Atget to their work. The book also includes contemporary interviews with local Parisians, extracts from Haussmann’s own writing, and historical maps that allow for an intriguing look at the shifting city plan.
Sure to be of interest to lovers of the city, be they Parisians or visitors, Piercing Time provides a unique snapshot of historical changes of the past 150 years. But it will also be of enduring value to scholars. The accurate cataloguing and high quality reproductions of the images make it a resource for a significant portion of the Marville collection in the Musée Carnavalet, and it will aid further research in urban history and change in Paris over the past century and a half. Photographers will also be drawn to the book for its new thinking in relation to documentary methodologies.

Contents

Acknowledgements

Introduction

 

A Paris Diagonal

Rephotographic Practices

                Marville Rephotographs Paris: 1865 and 1877

                Atget and Rephotography

                Methodologies

Performing the City

Cultural Heritage and Modernity

 

Avenue de l’Opéra

Le Percement de l’avenue de l’Opéra

Charles Marville and the Aesthetics of Ruins – Shalini Le Gall

 

Halles – Auxerre

 

Constructing Nineteenth-Century Paris through Cartography and Photography – Min Kyung Lee

 

Ile-de-la-Cité

 

Saint-Séverin – Place Maubert

 

Montagne-Sainte-Geneviéve

 

La Biévre – Rue Monge

 

Saint-Marcel - Gobelins

The Marville Archive

Technical Notes

Bibliography

Indexes

                Photographs by Charles Marville

                Photographs by Eugéne Atget

                Cartography and Illustrations

                Locations

 

About the Authors

Photography Credits

                               

For more information, or to order this book, please visit http://www.press.uchicago.edu
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