"Vlastimir Sudar’s study of the films of the late Serbian film director Aleksandar Petrovic is a valuable addition to the still relatively small amount of information in English about this award-winning filmmaker’s career and his place as a prominent figure, both in the history of the cinema of the former Yugoslavia and in international cinema of the 1960s and ’70s. Though Sudar rightly concentrates on Petrovic’s films of this period, he provides detailed information about the director’s life and overall career, together with careful analysis of his major films. His book should take its place beside Daniel Goulding’s Liberated Cinema as an indispensable contribution to the history of East and Central European cinema."

Graham Petrie, McMaster University

"Vlastimir Sudar’s book is the most ambitious and comprehensive attempt thus far to bring into bold relief Aleksandar Petrovic’s role as a world-class film artist, political dissident, and a major figure in bringing about the Yugoslav new film or black film period of the 1960s and early ’70s. Using an innovative and updated version of auteur theory as a major strategy of film analysis, Sudar discovers and persuasively articulates four basic thematic political paradigms that cut across all of Petrovic’s major films. His analysis is further deepened by a remarkable variety and scope of relevant source materials—historical, biographical, cultural, and political—that he critically brings to bear to substantiate and provide a context for his film analysis."

Daniel J. Goulding, Oberlin College

"Sudar’s prose is unencumbered, his accounts of social mores containing sufficient detail to introduce a novice to the complexity of the issue, while his film analyses are competent and even include details about production costs and other minutiae."

Slavic Review

“Sudar’s analyses of Petrović’s films are mostly quite detailed and insightful. They distinguish layered formal and thematic approaches in the director’s effort to construct and articulate his critique of different elements of socialist society. . . . The book’s primary aim is to recognize Petrović as a significant figure of European modernist cinema and introduce him to Anglophone film studies. By trying to elucidate how the dominant political tendencies of socialist Yugoslavia informed Petrović’s filmmaking and the trajectory of his career, it succeeds in it.”

Canadian-American Slavic Studies