New Brutality Film
Race and Affect in Contemporary Hollywood Cinema
Distributed for Intellect Ltd
This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en, and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of African-American and particularly hip-hop culture. The book uses several films as case-studies to chart these developments:
• Falling Down both appropriates of the political black rage of the ‘hood film and is a transition point between the white postmodern blockbuster and the new-brutality film.
• Gangsta films like Boyz N the Hood and Menace II Society provided the inspiration for much of the new-brutality film’s mimesis of African-American culture
• The films of Quentin Tarantino (including Reservoir Dogs and Pulp Fiction) are new-brutality films that attempt to reanimate the affective power of Hollywood cinema.
• Se7en, Strange Days, Fight Club,and The Matrix trilogy signify both the development and the demise of the new-brutality film.
This book charts and analyses an important period of Hollywood cinema as well as engaging with key contemporary thinkers (Deleuze, Jameson, Zizek and Benjamin) in a strikingly innovative fashion. The work will appeal to dedicated film scholars, critical theorists and readers with a general interest in film.
Introduction: Torturous Cinema: Questions of Affect, Mimesis and Race in The New-Brutality Film
Chapter One: Naïve Imitations: Falling Down, the Crisis of the Action-Image and Cynical Realism
Chapter Two: Gangsters and Gangstas: Boyz N the Hood, and the Dangerous Black Body
Chapter Three: Gangsters and Gangstas Part Two: Menace II Society and the Cinema of Rage
Chapter Four: Miming Blackness: Reservoir Dogs and ‘American Africanism’
Chapter Five: Trashing Whiteness: Pulp Fiction, Se7en, Strange Days and Articulating Affect