Paper $39.00 ISBN: 9781861892232 Published February 2004 For sale in North and South America only
E-book $14.50 to $29.00 ISBN: 9781861895790 Published February 2004

Chris Marker

Memories of the Future

Catherine Lupton

Chris Marker
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Distribution by the University of Chicago Press only to customers in the USA and Canada. Customers elsewhere should visit the UK website of Reaktion Books.

Catherine Lupton

Distributed for Reaktion Books

256 pages | 147 halftones | 6.25 x 9.40 | © 2004
Paper $39.00 ISBN: 9781861892232 Published February 2004 For sale in North and South America only
E-book $14.50 to $29.00 ISBN: 9781861895790 Published February 2004
Chris Marker is one of the most extraordinary and influential filmmakers of our time. In landmark films such as Letter from Siberia, La Jetée, Sans Soleil, and Level Five, he has overturned cinematic conventions by confounding the distinction between documentary and fiction, writing and visual recording, and the still and moving image. Yet these works are only the tip of the iceberg; Marker's career has also encompassed writing, photography, television, and digital multimedia.

Chris Marker is the first systematic examination of Marker's complete oeuvre. Here, Catherine Lupton traces the development and transformation of the artist's work from the late 1940s, when he began to work as a poet, novelist, and critic for the French journal Esprit, through the 1990s and the release of his most recent works, including Level Five and the CD-ROM Immemory. Lupton explicates Marker's work as a circular trajectory, with each project recycling and referring back to earlier works as well as to a host of adopted texts, always proceeding by oblique association and lateral digression. This trajectory, which Lupton outlines with great care and precision, is critical to understanding Marker's abiding obsession: the forms and operations of human memory. With this theme as her architecture, Lupton presents the most comprehensive and incisive analysis of Marker to date.

Incorporating historical events and cultural contexts that have informed each phase of Marker's career, Lupton gives readers access to an artist who stands outside of the mainstream and thus defies easy explanation. There is no better guide than Lupton's to this modern master's prolific and multidimensional career.
David Thomson | The Week
"A gentle, firm, lucid tracking down of the greatest ever movie essayist . . . There could not be a better introduction."
Modern Painters

"Lupton's book is. . . a thoroughly necessary guide"

James Ervin | Rain Taxi

"Her prose is refreshingly jargon-free . . .Lupton draws thematic connections between isolated moments in Marker's films with an ease born of familiarity, and her film analyses are lucid and interesting . . . the first complete English-language survey of Marker's work is an invaluable reference."

Frieze

"This is the first study of him in English to reveal the full scope of a luminous career . . . Lupton steers through the maze of Marker's world with admirable clear-headedness and isn't afraid to point out when he might fall short of greatness. . . . satisfyingly complex."

Mikael Astronomeow | Film Comment

"A highly recommended Chris Marker primer and a much-welcome addition to the growing debate and interest around his work outside of France."

Steve Erickson | Cineaste
"Helpfully supplies some background about his path to cinema. . . . Its greatest value lies in the sheer amount of information about Marker. . . . Lupton does justice to the artist behind the persona."
Leslie Woodhead | The Times Higher Education Supplement
"Provides comprehensive insights into the enigmatic auteur and his unpredictable career."
Emilie Bickerton | London Review of Books
"A succinct, comprehensive account of [Marker's] work."
Contents
Introduction: Free Radical
1. The Invention of Chris Marker
2. Travels in a Small Planet
3. A Moment in Time
4. A Grin Without a Cat
5. Into the Zone
6. Memories of the Future
Conclusion: The Eye that Writes
References
Bibliography
Filmography
Acknowledgements
Illustration Credits
For more information, or to order this book, please visit http://www.press.uchicago.edu
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