Cloth $99.00 ISBN: 9789089645685 Will Publish November 2014 For sale only in the United States, its dependencies, the Philippines, and Canada

Confronting the Golden Age

Imitation and Innovation in Dutch Genre Painting 1680-1750

Junko Aono

Junko Aono

Distributed for Amsterdam University Press

272 pages | 129 color plates | 7 x 9 3/4
Cloth $99.00 ISBN: 9789089645685 Will Publish November 2014 For sale only in the United States, its dependencies, the Philippines, and Canada
Dutch genre paintings of the period between 1680 and 1750 have historically been cast as uninspired repetitions of art from the mid-seventeenth-century Dutch Golden Age. In Confronting the Golden Age, Junko Aono reconsiders these oft-dismissed paintings, repositioning them as dynamic works that played an instrumental role in the canonization of the art of the Golden Age.

Drawing on archival documents, sales catalogs, and other texts, Aono closely analyzes a range of genre paintings—many of them handsomely reproduced in this volume. In the process, she deepens our understanding of these works and reveals how they illuminate the relationships among painters, collectors, and the dominant artistic currents of the time.
Contents

CHAPTER I

Confronting the Heritage of the Golden Age: the Situation around Dutch Genre Painting 1680-1750


Introduction                                                                              

 

1      Painter and collector in transition: the search for a new relationship

 

2      The collector ’s taste: in praise of seventeenth-century Dutch genre painting

 

3      Popular subject matter of genre painting in eighteenth-century collections

 

4      The painter ’s choice: updating seventeenth-century genre painting

 


CHAPTER II

Reproducing the Golden Age: Copies after Seventeenth-Century        

Dutch Genre Painting in the First Half of the Eighteenth Century

 

          1 Commercial misuse of copies: discussion between Johan van Gool and Gerard Hoet

 

                        2 Copies as substitutes for seventeenth-century painting

 

                        3 The painter ’s choice: in search of a favorite painte and subject matter

 

                        4 Case study: the candlelight scene as popular subject        

 

                        5 The function of copying: looking back to the Golden Age


CHAPTER III

Emulating the Golden Age: The Painter’s Choice of Motifs and Subject Matter in Dutch Genre Painting of the First Half of the Eighteenth Century

 


1      The painter ’s choice of subject matter                                   

 

1.1.    Willem van Mieris and his genre painting                       

 

1.2.    Johan Hendrik van Wassenaer Obdam: a devotee of genre painting

 

1.3.    The case study of A Grocer’s Shop by Willem van Mieris

 

2      Competing with the “old masters”:  pendants by Gerard Dou, Willem van Mieris and Hieronymus van der Mij

 

3      “Pleasurable enjoyment of dissimilar similarity”


CHAPTER IV

Ennobling Daily Life: A Question of Refinement in Early

   Eighteenth-Century Dutch Genre Painting

 

1      Gerard de Lairesse’s attempt to ennoble genre painting

2      The painter ’s practice of idealizing figures in genre painting

3      To meet new demands of collectors: seeking ideal versatility

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