Aleksandr Askoldov

The Commissar

Marat Grinberg

Aleksandr Askoldov

Marat Grinberg

Distributed for Intellect Ltd

112 pages | 25 halftones | 7 x 9 | © 2016
Paper $28.50 ISBN: 9781783207060 Published November 2016
Filmed in1966 and ’67, but kept from release for twenty years, The Commissar is unquestionably one of the most important and compelling films of the Soviet era. Based on a short story by Vasily Grossman, it tells of a female Red Army commissar who is forced to stay with a Jewish family near the frontlines of the battle between the Red and White Armies as she waits to give birth. The film drew the ire of censors for its frank portrayal of the violence faced by Russian Jews in the wake of the revolution.
            This book is the first companion to the film in any language. It recounts the film’s plot and turbulent production history, and it also offers a close analysis of the artistic vision of its director, Aleksandr Askoldov, and the ways that viewers can trace in the film not only his complex aesthetics, but also the personal crises he endured in the years leading up to the film. The result is an indispensable companion to an unforgettable film.
Contents
Note on transliteration
Acknowledgements
KinoSputniks general editors’ preface
List of illustrations
Production credits
Plot summary
 
Chapter 1: Introduction: Production history
 
Chapter 2: Literary sources
 
Chapter 3: Film analysis
 
Chapter 4: 1987 and after: Critical reception and debates
 
References
Notes
Review Quotes
Studies in Russian and Soviet Cinema:
"Marat Grinberg’s film companion to The Commissar... aims to demonstrate that Aleksandr Askoldov’s only film is not only an indispensable historical artifact for understanding late Soviet cinematic politics, but also one of the greatest films of European post-war cinema, placing Askoldov in the company of acknowledged masters such as Francois Truffaut, Luchino Visconti and Jean-Luc Godard... Grinberg... excels in ferreting out literary antecedents to the film [and] is most effective in explaining the myriad ways in which Askoldov embeds Jewish motifs, images, language and folk culture into the film... It is hard to imagine a more complete analysis of this aspect of The Commissar."
For more information, or to order this book, please visit http://www.press.uchicago.edu
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