Cloth $70.00 ISBN: 9780226075600 Published April 2001
Paper $26.00 ISBN: 9780226075617 Published March 2001

Skeptical Music

Essays on Modern Poetry

David Bromwich

Skeptical Music
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David Bromwich

288 pages | 6 x 9 | © 2001
Cloth $70.00 ISBN: 9780226075600 Published April 2001
Paper $26.00 ISBN: 9780226075617 Published March 2001
Skeptical Music collects the essays on poetry that have made David Bromwich one of the most widely admired critics now writing. Both readers familiar with modern poetry and newcomers to poets like Marianne Moore and Hart Crane will relish this collection for its elegance and power of discernment. Each essay stakes a definitive claim for the modernist style and its intent to capture an audience beyond the present moment.

The two general essays that frame Skeptical Music make Bromwich's aesthetic commitments clear. In "An Art without Importance," published here for the first time, Bromwich underscores the trust between author and reader that gives language its subtlety and depth, and makes the written word adequate to the reality that poetry captures. For Bromwich, understanding the work of a poet is like getting to know a person; it is a kind of reading that involves a mutual attraction of temperaments. The controversial final essay, "How Moral Is Taste?," explores the points at which aesthetic and moral considerations uneasily converge. In this timely essay, Bromwich argues that the wish for excitement that poetry draws upon is at once primitive and irreducible.

Skeptical Music most notably offers incomparable readings of individual poets. An essay on the complex relationship between Hart Crane and T. S. Eliot shows how the delicate shifts of tone and shading in their work register both affinity and resistance. A revealing look at W. H. Auden traces the process by which the voice of a generation changed from prophet to domestic ironist. Whether discussing heroism in the poetry of Wallace Stevens, considering self-reflection in the poems of Elizabeth Bishop, or exploring the battle between the self and its images in the work of John Ashbery, Skeptical Music will make readers think again about what poetry is, and even more important, why it still matters.

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Contents
Preface
Acknowledgments
1. An Art without Importance
2. Poetic Invention and the Self-Unseeing
3. T.S. Eliot and Hart Crane
4. Crane in His Letters
5. Stevens and the Idea of the Hero
6. Marianne Moore as Discoverer
7. "That Weapon, Self-Protectiveness": Notes on a Friendship
8. Elizabeth Bishop's Dream-Houses
9. The Making of the Auden Canon
10. Answer, Heavenly Muse, Yes or No
11. Geoffrey Hill and the Conscience of Words
12. Ted Hughes's River
13. A Poet and Her Burden
14. John Ashbery: The Self against Its Images
15. Hemingway's Valor
16. How Moral Is Taste?
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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