Posthumous Love

Eros and the Afterlife in Renaissance England

Ramie Targoff

Ramie Targoff

224 pages | 6 x 9 | © 2014
Cloth $40.00 ISBN: 9780226789590 Published May 2014
E-book $7.00 to $32.00 About E-books ISBN: 9780226110462 Published May 2014
For Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry.
 
Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Times Literary Supplement
“Engaging. . . . Targoff knows the virtues of reckoning with the unknowns and their place in the lyric tradition. . . . Targoff’s argument moves nimbly between ideology, analysis of reception and solid readings of individual poems. . . . Elegant.”
Gordon Braden, University of Virginia
Posthumous Love sets out a compelling case about a large and important point about English Renaissance love literature—one that perhaps should have been obvious for a long time but has never been brought into such sharp focus. The material may be familiar, but Ramie Targoff’s treatment is genuinely fresh, and her well-researched book traces a clear narrative arc from Petrarch to the carpe diem poems of the seventeenth century, with nuanced assertions about the sonneteers of the 1590s, the poetry of Donne, and Shakespeare in between.”
James Simpson, Harvard University
“Targoff’s poignant theme is early modern love in time. In this radiant book, consciousness of love in time drives not only the choice of material but also its presentation: Targoff wastes not a second of the reader’s own time as her luminous prose presents moving material in crisply packaged, perfectly targeted scholarship. Posthumous Love’s insight is striking; its mode is a model.”
Jeffrey Knapp, University of California, Berkeley
“Targoff’s brilliance as a literary critic is to ask questions of Renaissance English poetry that seem fundamental and inescapable once she’s raised them. Here, the question is why English poets ignored the precedents in Dante and Petrarch for portraying a love that lasts beyond death and chose instead to insist on love’s mortal limits. Targoff’s answers, in Posthumous Love, yield astonishingly fresh new readings of Shakespeare, Wyatt, Marvell, and Donne.”
Contents
Acknowledgments
Introduction Burying Love

1 Love after Death in the Protestant Church
2 Banishing Death: Wyatt’s Petrarchan Poems
3 Dead Ends: The Elizabethan Sonnet
4 The Capulet Tomb
5 The Afterlife of Renaissance Sonnets
6 Carpe Diem

Conclusion Limit Cases: Henry King and John Milton

Epilogue “An Arundel Tomb”

Notes
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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