Opera Observed

Views of a Florentine Impresario in the Early Eighteenth Century

William C. Holmes

Opera Observed
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William C. Holmes

266 pages | 18 halftones, 6 x 9 | © 1993
Cloth $99.00 ISBN: 9780226349701 Published January 1994
Paper $40.00 ISBN: 9780226349718 Published January 1994
William C. Holmes provides a rare look behind the scenes into the world of early eighteenth-century Italian opera. Based on a rich store of newly recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illuminates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos.

A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theater. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns. Holmes uses the Albizzi family archives—the most abundant and varied material yet available about an eighteenth-century impresario and his theater—to deepen our knowledge of an extraordinary but little understood period in Italian opera.

This book will appeal to anyone curious about operatic history.
Contents
Acknowledgments
Introduction
1. Opera in Florence and the Albizzi
2. Running a House
The Pergola
3. Librettos Revised
Suiting the Needs of Singers
4. Impresarial Contracts, Stage Sets, and Pietro Righini
An Artistic Conflict (1732-33)
5. From One Impresario to Others
Albizzi's Advice and Suggestions
6. Margherita Gualandi and the Scandal in Naples (1726)
7. Giovanni Battista Pinacci and His Two Contracts in Rome (1726)
8. Senesino Returns
Naples and Reggio, and the End of a Glorious Career (1739-40)
9. Commotion and Confusion at the Pergola and the Arrival of the Austraians (1737-38)
Appendixes
1. Eighteenth-Century Currencies
2. Letters in the Albizzi Archives Mentioning the Musical Patronage of Grand Prince Ferdinando de' Medici
3. Annotated Librettos in the Howard Mayer Brown Collection
Notes
Bibliography
Index of Operatic Works
General Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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