A Different Oxford Journey
Through the centuries, people from all walks of life have heard the siren call of a pilgrimage, the lure to journey away from the familiar in search of understanding. But is a pilgrimage even possible these days for city-dwellers enmeshed in the pressures of work and family life? Or is there a way to be a pilgrim without leaving one’s life behind? James Attlee answers these questions with Isolarion, a thoughtful, streetwise, and personal account of his pilgrimage to a place he thought he already knew—the Cowley Road in Oxford, right outside his door.
Isolarion takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that’s what Attlee, sharp-eyed and armed with tape recorder and notebook, provides for Cowley Road. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist’s or student’s Oxford. What Attlee presents instead is a thoroughly modern, impressively cosmopolitan, and utterly organic collection of shops, restaurants, pubs, and religious establishments teeming with life and reflecting the multicultural makeup of the surrounding neighborhood.
From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, Attlee investigates every aspect of the Cowley Road’s appealingly eclectic culture, where halal shops jostle with craft jewelers and reggae clubs pulsate alongside quiet churchyards. But the very diversity that is, for Attlee, the essence of Cowley Road’s appeal is under attack from well-meaning city planners and predatory developers. His pilgrimage is thus invested with melancholy: will the messy glories of the Cowley Road be lost to creeping homogenization?
Drawing inspiration from sources ranging from Robert Burton’s The Anatomy of Melancholy to contemporary art, Attlee is a charming and companionable guide who revels in the extraordinary embedded in the everyday. Isolarion is at once a road movie, a quixotic stand against uniformity, and a rousing hymn in praise of the complex, invigorating nature of the twenty-first-century city.
Of Music and Cannibalism
Doing My Part
The Melancholy Pilgrim
Bread and Circuses
Designated Desire-Lines: Planning a New Road
Further Purification of the Pilgrim
Of Love and Jewels
Behind the Blue Door (Inside the Private Shop)
From the Literal to the Allegorical and Back
Wittgenstein’s Lion and a Cappuccino Sea
Virtual Streets and Gateways: The Plans Revisited
Cosmonauts and Coleslaw
St. Edmund’s Well and a Faded Warning
Making Do and Getting By
Egyptian Vagabonds, Afternoon Men, and the Malus Genius of Our Nation
Losing the Key
Bed-Sits and Birardari
What They Think You Can Bear: Football, Religion, and Nightmares on the Cowley Road
Between Two Fires: Pulling the Dragon’s Teeth
Melancholy, an American Photographer, and the Irish Writer
Cowley Road Calling
Just Less Lucky
Dreadlocks and Rim-Shots: Reggae at the Zodiac
Of Lepers, Lunatics, and Layabouts
Dancing Sand and Zum-Zum Water
Of Books and Bitumen
Returning to the Source
A Journey in the Hinterland
Into the Furnace
Blessings and Tribulation
A Graveyard Reborn
Finding a Clue
Of Bats and Mutton Curry
A Hidden Pool
The Liquid Kingdom
The Gateways Close
Of Robots, Wild Rhubarb, and the New Oxford Way
Things Fall Apart: An Ending of Sorts
“I have never read a better book about Oxford—its oddities and eccentricities. The peripatetic local form of James Attlee’s delightful book makes it a storehouse of information as well as a joy to read for its wit and humor.”
"A gem. . . . James Attlee's scholarly, reflective and sympathetic journey up the Cowley Road is one of the best travel books that has been written about Britain's oldest university city. It is not—at least not directly—the Oxford of punts and gowns. His raw material is diversity: the Cowley Road as a corner of the outside world, where change and excitement are squeezed into the cramped hinterland of the scholarly theme park of the city centre. . . . .The result blends a vivid account of daily life, fluid and unsettling, in a modern British town with powerful allegorical reflections on the connections between past and present, time and space, and high culture and the hard scrabble world that sustains it. Oxford may be the city of lost causes, and this book is indeed ambitious; it could easily sound sententious or twee. But it works, gloriously."
"The fish-out-of water travelogue is a staple of the bookstore, but Attlee . . . has set himself a different task: to be the fish, and to give a detailed description of the properties of the water. . . . Attlee's reading is deep and wide and engagingly circuitous, and this book frequently provides the delights of discovery that make any adventure worth undertaking."
“Attlee paints an iridescent picture of a new Oxford that no guide book has yet captured.”