Cloth $86.00 ISBN: 9780226777320 Published March 1998
Paper $40.00 ISBN: 9780226777337 Published July 1999

Inventing Masks

Agency and History in the Art of the Central Pende

Z. S. Strother

Inventing Masks
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Z. S. Strother

376 pages | 8 color plates, 104 halftones, 2 line drawings, 2 maps | 6-5/8 x 9-1/4 | © 1997
Cloth $86.00 ISBN: 9780226777320 Published March 1998
Paper $40.00 ISBN: 9780226777337 Published July 1999
Who invents masks, and why? Such questions have rarely been asked, due to stereotypes of anonymous African artists locked into the reproduction of "traditional" models of representation. Rather than accept this view of African art as timeless and unchanging, Z. S. Strother spent nearly three years in Zaire studying Pende sculpture. Her research reveals the rich history and lively contemporary practice of Central Pende masquerade. She describes the intensive collaboration among sculptors and dancers that is crucial to inventing masks. Sculptors revealed that a central theme in their work is the representation of perceived differences between men and women. Far from being unchanging, Pende masquerades promote unceasing innovation within genres and invention of new genres. Inventing Masks demonstrates, through first hand accounts and lavish illustrations, how Central Pende masquerading is a contemporary art form fully responsive to twentieth-century experience.

"Its presentation, its exceptionally lively style, the perfection of its illustrations make this a stunning book, perfectly fitting for the study of a performing art and its content is indeed seminal. . . . A breakthrough."—Jan Vansina, African Studies Review

The Arts Council of the African Stu. Ass: The Arnold Rubin Outstanding Publication Award
Won

View Recent Awards page for more award winning books.
Contents
List of Illustrations
Preface
Acknowledgments
Note on Orthography
Pt. 1: The Process of Invention
1: "Dancing the Masks": Introduction to the World of Pende Masquerading
2: Who Invents Masks Anyway?
3: Costuming for Change
4: Birth of an Atelier, Birth of a Style
5: Pende Theories of Physiognomy and Gender
6: Learning to Read Faces, Learning to Read Masks
Coda
Pt. 2: The History of Invention
7: A Precolonial Pende Art History?
8: Masks in the Colonial Period
Conclusion: The Role of the Audience in Invention and Reinvention
Appendix: Further Notes on Certain Mask Genres
Notes
Bibliography
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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