Ezra Pound and the Monument of Culture
Text, History, and the Malatesta Cantos
Written by Pound in the months following his first visit, the four poems grouped as "The Malatesta Cantos" celebrate the church and the man who sponsored its construction, Sigismondo Malatesta. Upon receiving news of the building's devastation by Allied bombings in 1944, Pound wrote two more cantos that invoked the event as a rallying point for the revival of fascist Italy. These "forbidden" cantos were excluded from collected editions of his works until 1987. Pound even announced an abortive plan in 1958 to build a temple inspired by the church, and in 1963, at the age of eighty, he returned to Rimini to visit the Tempio Malatestiano one last, haunting time.
Drawing from hundreds of unpublished materials, Rainey explores the intellectual heritage that surrounded the church, Pound's relation to it, and the interpretation of his work by modern critics. The Malatesta Cantos, which have been called "one of the decisive turning-points in modern poetics" and "the most dramatic moment in The Cantos," here engender an intricate allegory of Pound's entire career, the central impulses of literary modernism, the growth of intellectual fascism, and the failure of critical culture in the twentieth century. Included are two-color illustrations from the 1925 edition of Pound's cantos and numerous black-and-white photographs.
Preface and Acknowledgments
Ezra Pound in the Temple of History: Earliest Drafts and the Rites of Quotation
Roots and Routes
The Politics of Quotation
Savage Crimes: (F)Acts of Transmission
A Life and a Death
Strange Shadows on You Tend
The Whited Sepulchre
Desperate Love: Isotta and the Monument of Civilization
The Honor of Italy
Worthy of This Love
A Little Chronicle
The Missing Letter: Why?
The Last Judgment
1. The Chronology of the Manuscripts
2. Pound's Travels in Italy, 1922
3. The Principal Source for Canto 73