Paper $30.00 ISBN: 9780226043104 Published May 2013
Cloth $90.00 ISBN: 9780226043074 Published May 2013
E-book $7.00 to $30.00 About E-books ISBN: 9780226043241 Published May 2013 Also Available From

American Allegory

Lindy Hop and the Racial Imagination

Black Hawk Hancock

American Allegory

Black Hawk Hancock

280 pages | 6 x 9 | © 2013
Paper $30.00 ISBN: 9780226043104 Published May 2013
Cloth $90.00 ISBN: 9780226043074 Published May 2013
E-book $7.00 to $30.00 About E-books ISBN: 9780226043241 Published May 2013
“Perhaps,” wrote Ralph Ellison more than seventy years ago, “the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power.” As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy Hop—the dance that Life magazine once billed as “America’s True National Folk Dance”—would spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications?

In American Allegory, Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and Steppin’, Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.
Prologue: This Strange Dance
Lead In: The Cost of Insight

      Introduction: The Lindy Hop Revival

1     Finding the Pocket

2     Caught in the Act of Appropriation

3     Put a Little Color on That!

4     Steppin’ Out of Whiteness

      Lead Out: Learning How to Make Life Swing

Conclusion: Toward New Territory

Review Quotes
American Journal of Sociology
“Hancock’s American Allegory represents the first book-length meditation on how the neoswing renaissance, and its ahistorical cross-cultural engagement with ‘African American cultural forms,’ sustains racial domination. . . . Hancock’s prose is…inspired. . . . . Allegory deserves a readership beyond well-credentialed white liberals committed to more expansive forms of self-loathing and would be a vital addition to syllabi in courses on racialization, culture, and methodology. Like the protagonist of Invisible Man, Hancock’s hunger for justice remains unabated, I figure, and I look forward to his next excavation of the remaining riddles in the American vernacular.”
Journal of American Culture
"Hancock critically engages the racial imagination surrounding the expressive nature of dancing and how black and white bodies are coded differently. His argument is an important expansion of scholarship in American culture because Hancock posits the body as a site of cultural memory. . . . An important piece of scholarship on racial displacement, expressive culture, and the residue of racial segregation in urban spaces and places. The author makes an original contribution to American culture by the honesty and bravado he displays by writing a genealogy of the Lindy Hop and the complications of race that influence the dance from the 1920s to the present day Steppin', which is performed today."
"You will be glad to have come across this study. It keeps a good balance between academic study and cultural practice 'as told by an insider' who carefully investigates an art form both intellectually and physically."
Andrew Deener, author of Venice: A Contested Bohemia in Los Angeles
“In American Allegory, Black Hawk Hancock has written a rich and intricately detailed ethnography of the distinct worlds of lindy hop and steppin'. Here, readers are offered a guide to the ways in which cultural expressions have come to occupy separate racial and spatial realms and how this apparent segregation of race, culture and identity is practiced in the United States today.”
John L. Jackson, Jr., author of Real Black: Adventures in Racial Sincerity
“Black Hawk Hancock provides a fascinating dance ethnography situation within the larger context of Chicago’s segregated social landscape. By deploying Bourdieu’s notion of ‘habitus’ as a recurring conceptual hook in a ‘carnal sociology’ reminiscent of Loic Wacquant’s, Hancock offers an entertaining and valuable new perspective in the ongoing debates about the organization and reproduction of America’s racial order. American Allegory is a fluent and nuanced piece of scholarship.”
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